Nematodes

"If all matter in the universe except the nematodes were swept away, our world would still be dimly recognizable, and if, as disembodied spirits, we could then investigate it, we should find its mountains, hills, vales, rivers, lakes and oceans represented by a thin film of nematodes. The locations of towns would be decipherable since for every massing of human beings there would be a corresponding massing of certain nematodes. Trees would still stand in ghostly rows representing our streets and highways. The location of the various plants and animals would still be decipherable and, had we sufficient knowledge, in many cases even their species could be determined by an examination of their erstwhile nematode parasites." 

Nathaniel Cobb, ‘Nematodes & their Relationships’, Yearbook of the US Department of Agriculture, 1914.

Some words with Zsófia Döme, Hungarian Treehugger and Illustrator

Zsófia Döme (http://zsofiadome.tumblr.com/) likes to get lost in the woods and draw the things she didn’t see, those things that imagination can’t help but see while surrounded by wild greenery teeming with hidden creatures. She is a Hungarian illustrator and a current student at the Hungarian School of Fine Arts. Rooted in a kind of grotesque and spooky fantasy aesthetic, her work exudes moodiness and mythology. She works in everything from playful creature studies to scenes lush with atmospheric tension, while incorporating just enough surreal quietness to make each image more than your average fantasy art.

I sent her a message on DeviantArt, because I had to find out more about her and what was behind the pictures. I began with the thing that stood out most for me: Zsófia’s use of surrealism, fantasy, and good old fashioned creepiness to make a visual statement about nature and what we call civilization. For the sake of completeness I’ll let you know that Zsófia’s English is in it’s “intermediate” phase, and I have taken the liberty of editing her answers to a point for clarity’s sake, hopefully not so much that you forget she’s Hungarian.

MR: The way you portray nature is kind of magical and foreboding at the same time. Where did your love of nature come from, and what goes through your mind drawing such lush scenes?

ZD: I had grown up in a small town in Hungary, and the love for nature comes from there. In my childhood we played in the tall grass, discovered the forest and sometimes we got lost, but we didn’t mind.

Nature can have a thousand faces. It could be the Garden of Eden where you can retire and meditate, but it could also be a place full of darkness, decadence and sickening things. For me it’s a mystical hideout where you can find interesting creatures in every corner. [….] It’s a kind of shelter for me. In my artworks every component has its own meaning on a deep, personal level.

Zsófia, who describes herself as a “tree-hugger,” on her DeviantArt, has a special connection with that natural world she liked getting lost in as a child. Whether she depicts nature as massive or miniscule, it’s always the uncontrollable and invasive, and at times violent and grotesque aspects of nature that shine through and give her work a little edge.

Most recently, Zsófia created a series of studies that pair drawings of (mostly) real life flowers and roots with those same plants sprouting eyes and little mouths and horrible little mutant limbs. It’s a study in giving a face to the plant world, a world that most forget is filled with living, breathing things— with life that grows, eats, moves and feels in its own way, but generally doesn’t have the facial structures necessary to show us how pissed off or ecstatic it might be about it all.

Birds I & II, Silent Lake, and No Way Out all seem to be done in the same style, and I was wondering if they were connected somehow, or were part of the same story, and if so what the project was. Am I just imagining it?

To be honest, the other half of my Birds series is still waiting in a forgotten corner of my laptop to be colored (Birds III, IV). Months have been passed after I finished the line art, but the coloring progress is stopped. I also wanted to upload some new works, but school deadlines kept me away. Maybe I can share some stuff later. The illustrations you mentioned all are separate pieces, except ‘Birds’. The style is the same of course, but I can’t explain why. I just felt this style fit to this kind of dark world, and I also found that is close to myself, as well. One of my friends said some time ago, once she discovers an interesting subject she draws until she exhausts the whole theme. In my case it’s almost similar, but it’s not about interests, rather about style. It’s very meditative and calming, when you are making dotwork or just draw leaves for hours.

These illustrations are begging to tell a story, but as of yet Döme is letting them stand alone. Her experiments in storytelling thus far are few, but promising. My favorites are her illustrations for a violently satisfying story called Anyagyilkossag (“Matricide”), by little known Hungarian author, psychiatrist, and certified murderous psychopath Géza Csáth. Döme was inspired after watching the movie The Whitman Boys, based on the Csáth story, to illustrate scenes from the story. After learning the story of Mr. Csáth life I had trouble reconciling the terms “tree-hugger” and “psychopath,” but Döme does a great job in her illustrations of capturing the story’s pathologically sardonic tone. (If you want, give the story a read here.)

I saw on your tumblr that you were working on a series of illustrations for a story by Geza Csath — “Anyagyilkossag” after you saw The Whitman Boys, which was based on the story. Is that project finished?

My illustrations represent a mood rather than events, as you can see in my works about Csáth’s stories. Yes, this project is finished and I still have others in progress. I really like Csáth’s works and I also regret that he didn’t write more stories during his short lifetime. As for the illustrations it was a short-lived project which was made for my own pleasure. It wasn’t published, but it would be a real honor to illustrate a whole volume.

Do you have any other illustrative projects in the works. What have you been working on lately?

My current project is called “My Wardrobe”. Nowadays I live in an old student hostel and the idea came there. The base of the project is a wardrobe which is used by my roommate and me. Imagine an ugly, old, dusty wardrobe with unclosable doors and a big mess inside. [It’s an interactive illustration where] you can click on the doors and have a look inside, but the small places hide more than only clothes, boxes, or shoes. There are tiny surreal words in every part of it. 

These days I’m more and more interested about connection of body and soul. With this current project I speculate about where is the soul within our body or how it can manifest through our environment and our personal things?

So you’re still a student?

I’ll get my degree next year, and I hope everything will go smoothly.

Could you name some artists or writers who’ve inspired you?

In my teenage years I was obsessed with anime and manga, cartoons and my early dream was to be a comic artist or an animator. After the high school I got into a fine arts university which was a huge twist for me. I got new perspectives about how to approach art, how to enjoy even the abstract pieces, which are the least understandable for the most people. [In school] my taste turned another way. I don’t mean that I completely gave up my early interests, just got new perspectives, new doors opened before me. In the future I’d like to find a balance between popular art and fine art. To be honest, it’s a bit hard, and I’m still growing and developing.

I’m inspired in many ways, with almost everything melancholic, lyric images mixed with a little bit of grotesque horror. As for art, I love pre-raphaelites, art nouveau, and surrealist works. Just a few names from my favorite artists: Max Ernst, George Grosz, Harry Clarke, John Bauer, Alan Lee, Arthur Rackham, Eyvind Earle, Theodor Kittelsen, Csaba Rékassy.

I often listen neofolk while drawing, sometimes a little bit of darkwave, but mainly folk metal, death metal, movie and game soundtracks. Medieval and Nordic sounds are the closest to my heart.

Here’s hoping to hear more from the Hungarian tree-hugger, the talented young Zsófia Döme. If you’d like a print, I encourage all money-havers to click to her Society6 page and buy one.

Review: Virtual Candle by Grant Gronewold (aka HTMLflowers)

Fort Thunder ended more than a decade ago, can you believe that? For those who don't know about it, Fort Thunder could loosely be described as an art-hive / music and event venue started by Mat Brinkman and Brian Chippendale, located in an old textile factory in Providence, Rhode Island, which fed off the creative juices and dollars of the legendary(?) school of design. Fort Thunder put on concerts, wrestling matches, noise dance parties, all that, but a huge part of their scene was the visual art and sensibilities of Brinkman and Chippendale (of Lightning Bolt fame), which drenched each event in iridescent neo-fauvism and expressionism. Eventually other artists started living and working there, and a community blossomed that had a lasting impact on contemporary visual design probably, can't say I'm an authority on these things. Let's look at the names: Brinkman, Chippendale, Paper Rad, CF (via Paper Rad), Ben Jones. Go look up more, I can't do all your homework for you.

Add Grant Gronewold (a.k.a. HTML Flowers) to the list by proxy. Though coming along well after that scene was done, Gronewold obviously ingested large doses of those artists as a child and now speaks that language natively, and he uses it to make irridescent visual poetry. His first official collection is called Virtual Candle, and is out and ready for purchase from Spaceface Books

Mr. Gronewold has this way of making art and comics that is both deliberately unpolished and highly refined. Lines, colors, characters, nearly everything is held together by unfinished or deformed yet recognizable shapes, and the rest is carefully placed in the wrong places. These deliberate fuckups and incompletes are actually the most sophisticated aspect of his style, because through them you feel like Gronewold is not only admitting to his imperfections, he's making triumphs of his mistakes.

Both the art and the writing can seem like nonsense, but I assure you it speaks to personal emotional and psychological truths. The combination of deformation and imperfection makes it at once unabashedly sincere, poetic, and moderately to severely ridiculous. The first few sections of the book, for instance, are comics about "The Twins", a pair of unidentifiably fuzzy humanoid creatures who go on crude and childish adventures through nature and society. They piss on trees and in rivers of sorrow, poke the moon with sticks, etc. They say "dude" a whole lot. According to an interview with It's Nice That, The Twins is one of the the artist's favorite parts: "They're avatars for me and my closest friends and adventures we've had or ones we should have had".

The Twins section feels like filler, but it provides a decent introduction to the artists overall outlook on life. These Twins comics are classic stoner nonsense: poop jokes and joyful stupidity. It's great if you're into that kind of thing.

When Grant puts his emotions on the page and combines it with that radiant Fort Thunder energy the effect is powerful and intimate. Grant has cystic fibrosis, and like the more than 30,000 other people in the States with this condition his life came with a rather short expiration date. Imagine a doctor telling you they know when you're probably going to die, telling you and your family to prepare for the worst if treatment doesn't work out. Today, with regular (but often brutal) treatment, CFers often break through several life expectancies, each time being told their clock has a little more time. Speaking specifically about his stick and poke tattoos, Gronewold says that doing them for friends and fans allowed him to "regain some kind of control over my body" while coming close to his third life expectancy. 

With intense emotions and something to actually say, the Fort Thunder / Paper Rad / Whatever aesthetic of color and simplicity and childishness can be devastatingly intimate. The most important thing about Grant Gronewold is that his style and his emotions are completely entwined and you can feel it on the page and on his Tumblr. There is no pretension. What may seem to some as affectation is really just Grant speaking how he learned to speak. 

And yes, I said stick and pokes. Grant apparently let a few brave individuals live out their wildest dreams of letting a Tumblr-famous weirdo repeatedly stab them with a sharp ink-laden object, and included a bunch of pictures of the results in this book. This is as intimate as it gets short of someone getting pregnant. Grant, speaking on his tattoo work, had this to say: "I can’t believe people let me mark them forever. Crazy ding dongs!" He's being modest. His stick and poke drawings have the same intelligent naivete as his comics and traditional drawings. 

I'll leave off with some random images from Grant's Tumblr, because that's how I first found him and also because I can't bear to break the spine of this book to scan  more of the awesome drawings in it. Hopefully you'll enjoy them as much as I have over the years. I also highly recommend reading that interview with Grant by It's Nice That, so you can get to know the artist more in his own words. 

The Gronewold himself

Matthew Houston / NeverRider

Matthew Houston is from Illinois, and he made a comic, but it's his illustrations that I want to write about. He makes lines with monastic calm and OCD repetitiveness and makes scenes and characters that feel like a medieval Saturday morning cartoon. My favorite drawings by him take place in a medieval world and resemble at times medieval illustrations. They're are executed in this semi flat, slightly stretched fashion that always feels slightly off, and which adds to the sleepy edge each drawing has.

In a style like this, figures get iconic, and it's easy to pose them in a symbolic light, because everyone looks like a fucking tarot card. Houston adds some slight contortions in postures and gestures to make certain the vibe is a little creepier, a little more anxious, but still monastically chill. 

Mr Houston is also a huge fan of things. For instance, he drew a series of full body portrait drawings with Marvel Comic characters. He made them look like royal knights with fancy guy armor.

Some times he draws faces that look retarded. I dunno, it happens to everyone. 

He's good. Have looks see. There he is on DeviantArt and there he is on Tumblr, and here he is trying to be a bad ass with his own personal website. Matthew Houston. Go.